The story begins where Killzone 2 left off, with Visari, the vicious Helghast dictator, lying dead at the feet of Special Forces soldiers Sev and Rico. The battle may have been won but the war is far from over. Visari’s death has left behind a world of political scheming, infighting and outright murder. Meanwhile his parting gift, a nuclear bomb detonated in Phyruss, the Helghan Capital, has decimated the ISA invasion force. With no re-enforcements and supplies quickly running out, you must now fight against ruthless Helghast war machine alone.

An epic cinematic war experience

With levels ten times bigger than in Killzone 2, this is Helghan like you’ve never seen it before. You’ll face brutal combat in a host of environments that threaten to bury you on the deadly planet. Killzone 3 will see you trudge through toxic nuclear wastelands, get lost in a lethal alien jungle, fight in bitter arctic conditions and take the battle into space as you fight against Helghast domination – with every location featuring a distinct gameplay style for you to master.

Killzone 3 will be fully playable in Stereoscopic 3D, immersing you more deeply into the ferocious world and putting you at the heart of the action. But be careful. While you experience this world in incredible, High Definition, Stereoscopic 3D detail – you’ll learn to fear what’s around every single corner.

The Helghast are back and they’re bigger and fiercer than you’ve ever seen them. From Jetpack troopers to enemies wielding portable weapons of mass destruction, your enemies will be tougher, scarier and equipped with a host of new toys in their quest for destruction.

Prepare for battle!

Internationally renowned for his epic, powerful and sweeping orchestral music, Joris de Man's rousing theatrical score for Killzone 3 enhances the game's Hollywood-style, action-focused narrative and propels the dramatic movie sequences and cinematic, visceral gameplay. His most ambitious compositional work yet, Joris de Man will record his symphonic music at the world-famous Abbey Road Studios.

"Joris is the kind of composer that keeps developing his skills and throughout the years he always manages to amaze us with new sounds, themes and direction in his music and for Killzone 3 he's doing exactly that again," said Mathijs de Jonge, Game Director at Guerrilla Games. "Killzone 3 will be the seventh title that I've worked on with Joris and it's great to see how the projects we work on keep growing both in scale as well as popularity. I think it's very important to have this kind of creative connection with the composer as it adds so much to the experience when music and game complement each other."

In May 2010, Joris de Man was presented with the inaugural award for "Best Original Video Game Score" for the Killzone 2 soundtrack at the 55th Ivor Novello Awards ceremony held at the Grosvenor House Hotel, Park Lane, London. The IVORS are presented annually by the British Academy of Composers and Songwriters (BASCA) and are respected worldwide as the major platform for recognizing and rewarding Britain's songwriting and composing talents. They are the only major music award to be judged and presented by the writing community. The music of Killzone was also celebrated at the "Joystick 3.0" concert in Sweden performed by the Malmo Symphony Orchestra. The Joystick symphonic concert series currently holds the world record for a game music performance with an attendance of 17,000 at the first show in 2006. Killzone will be performed at the Gothenburg Symphonic Orchestra's "Score" concert in Sweden this November.

Composer Joris de Man commented, "Winning the Ivor this year gave me such a boost because receiving was not just recognition for my work on the score, but being awarded it in its first year meant being part of a growing appreciation of game music in general. The achievement spurred me on and has given me a new energy that I hope will be heard in the music I'm now writing for Killzone 3. I was thrilled to be invited again to work alongside the team at Guerrilla; they continue to push the limits of design and technology and I'm really proud to be a part of their next opus."